Palm — Nicks and Grazes
Palm, truly an art-rock band—not just in designation, but in practice and pursuit—returns from a pandemic reprieve with their most abstract and ambitious work to...
Beth Orton — Weather Alive
A departure from 2016’s Kidsticks, Beth Orton shifts away from the folk-electronica under which she’s often categorized and heads directly into singer-songwriter territory on Weather...
Hot Chip — Freakout/Release
As the title suggests, post-pandemic LP Freakout/Release sees electro-pop icons Hot Chip delving into subject matter deeper than their standard groove-laden electro offerings with the...
Sylvan Esso — No Rules Sandy
On Sylvan Esso’s fourth studio album, No Rules Sandy, the electro-pop duo of Amelia Meath and Nick Sanborn rebalance their synthesized–yet–organic sound, losing much of...
Osees — A Foul Form
Currently calling themselves the Osees, Jon Dwyer’s prog-rock post-punk artistic vehicle dispenses with all pleasantries and runs head-on into their harshest and grittiest effort to...
Kasabian — The Alchemist’s Euphoria
A band in transition, Kasabian returns with their first album since 2017, and more importantly, their first since the departure of Tom Meighan as lead...
Hot Milk — The King and Queen of Gasoline
Difficult to categorize as they undertake some notable changes on their third EP, The King and Queen of Gasoline, Hot Milk find themselves shifting between...
Interpol — The Other Side Of Make Believe
After the stripped-down, high-energy affair of 2018’s Marauders, indie rock darlings Interpol return with a softer, more subdued approach on The Other Side Of Make...
Conan Gray — Superache
With one foot firmly planted in pop and the other seeking out more mature musical footing, Conan Gray and his third collection, Superache, try for...